On Gunn's latest, a result of a 48-hour recording marathon, he farms out the creative work to a corps of b-list genre artists in an effort to reach a “museum rap" pinnacle.
Joel Biswas explains how Mach-Hommy's new album is that rarest of things – a rap record that’s both a treatise on and testament to greatness.
Mach-Hommy returns to the Griselda fold as he and Westside Gunn tear the “Hollow Bones” instrumental to shreds. Douglas Martin investigates.
Harold Stallworth takes a look at Dollar Menu, the new EP from Mach-Hommy.