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Archive
Interviews
Podcasts
Calendar
Mixes
Forum
Staff
Contact
Search
The Rap-Up: Week of June 7, 2021
by
Harley Geffner
The Soundtracks and Compilations That Inspired Peter Rosenberg’s ‘Real Late’
by
Kevin Crandall
“Sometimes You Just Have to Represent What’s Really Out There:” An Interview With ENNY
by
Jaap van der Doelen
The Rap-Up: Week of June 1, 2021
by
Brandon Callender
The Super Saiyan SoundCloud Rap of ssjishmael
by
Donald Morrison
Dashiell Lewis
Track Review: “Stigmata” by Lukah feat. Boldy James
Dashiell Lewis
Track Review: “Iron Steel Samurai” by Quelle Chris & The Alchemist
Chris Robinson
The Infectious Fun of Emmet Cohen’s Quarantine Jazz
Harley Geffner
The Rap-Up: Week of May 24, 2021
Patrick Johnson
Rhys Langston’s ‘Stalin Bollywood’ and the Catharsis of Cynicism
Leonel Manzanares de la Rosa
Mavericks From the Other Side of the Curtain: A Soviet Jazz Mix
DMX Obituary (GQ) - By Jeff Weiss
Behind the Beat: Jahlil Beats & Bobby Shmurda's “Hot N*gga” (Okayplayer) - By Thomas Hobbs
A Portrait of Freddie Gibbs Atop the Mountain (The Ringer) - By Jeff Weiss
Armand Hammer and The Alchemist's Haram is Intricately Crafted (GQ) - By Paul Thompson
Who Killed Mac Dre?
By Donald Morrison
Unbelieveable: A Ranking of Every Biggie Smalls Track
By Staff
20/20 Vision: Ghostface Killah — Supreme Clientele
By Son Raw
Mordechai
Khruangbin
Dashiell Lewis
Track Review: “Stigmata” by Lukah feat. Boldy James
Dashiell Lewis
Track Review: “Iron Steel Samurai” by Quelle Chris & The Alchemist
Chris Robinson
The Infectious Fun of Emmet Cohen’s Quarantine Jazz
Harley Geffner
The Rap-Up: Week of May 24, 2021
Patrick Johnson
Rhys Langston’s ‘Stalin Bollywood’ and the Catharsis of Cynicism
Leonel Manzanares de la Rosa
Mavericks From the Other Side of the Curtain: A Soviet Jazz Mix