Passion of the Weiss

“The Folks Who Are Violent Don’t Want to Talk About the Softer Side:” An Interview With MBNel by Yousef Srour “Old Artists are Still Crafty:” An Interview With Lord Finesse by Zilla 20/20 Vision: Lucy Pearl by Son Raw The Rap-Up: Week of August 10, 2020 by Mano Sundaresan “A Part of Me is Used to Seeing Black Deaths at the Hands of Police:” An Interview With BL Shirelle by Taylor Crumpton
Will Schube Noise Pollution: OTTO Beams in & Mirah Makes 20 Special Chris Daly Khruangbin Put Their Best Foot Forward on ‘Mordechai’ Mano Sundaresan Hook Needs Answers Abe Beame Shai Gilgeous-Alexander’s Unified Chaos Theory Will Schube Album of the Week: Frank Ene ― No Longer Evan Nabavian Slang Editorial: E-40’s The Curb Commentator
May He Have Your Attention? 'The Marshall Mathers LP' at 20 -- By Jeff Weiss Big in the United States: The Influence of Japanese Garage-Rock on U.S. Music -- By Martin Douglas Blue Chips: May 2020 in New Hip-Hop -- By Max Bell The Story of Mobb Deep's 'The Infamous' at 25 -- By Paul Thompson An Interview With Drakeo The Ruler On Facing A Second Trial For His Life - By Jeff Weiss	Ubers Over Ruccis: A Chat with Sada Baby By Miguelito Bragging Rights Don’t Mean Shit: An Oral History of Raider Klan By Andrew Matson The 30 Greatest Production Accents in Rap History By Abe Beame Tunes: 2011 to 2019 Burial

Noise Pollution: OTTO Beams in & Mirah Makes 20 Special

Khruangbin Put Their Best Foot Forward on ‘Mordechai’

Mano Sundaresan

Hook Needs Answers

Shai Gilgeous-Alexander’s Unified Chaos Theory

Album of the Week: Frank Ene ― No Longer

Slang Editorial: E-40’s The Curb Commentator