Ross Olson speaks to the singer-songwriter about his creative process, the conceptualization of his new album The Fooler, preserving aesthetics from mid-century art forms and more.
Part of me would rather be water boarded than hear another retro soul song from a young white kid in a skinny tie. So I ignored Nick Waterhouse when I first heard about him, even though he came co-signed by one of my favorite labels, Innovative Leisure, home to Mexicans with Guns, Hanni El Khatib, […]
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