The sound of hip-hop has changed dramatically since the ’90s. Layered synths, 808 sub-bass kicks, and double time hi-hats often replace  jazzy, sample-driven boom-bap. But not every producer is looking to the modern soundscape for inspiration. Some, like Washington D.C.‘s Damu the Fudgemunk (Earl Davis), are looking back, resurrecting the techniques and sounds of ’90s […]