On Gunn's latest, a result of a 48-hour recording marathon, he farms out the creative work to a corps of b-list genre artists in an effort to reach a “museum rap" pinnacle.
Joel Biswas explains how Mach-Hommy's new album is that rarest of things – a rap record that’s both a treatise on and testament to greatness.
Mach-Hommy returns to the Griselda fold as he and Westside Gunn tear the “Hollow Bones” instrumental to shreds. Douglas Martin investigates.
Jayson Buford speaks to the Griselda member about a time when he thought he'd never make it out of jail and coming up in East Buffalo.
Douglas Martin looks at the Easter treat from Westside Gunn and Mach-Hommy.