Concert films have the power to not only provide fans with a snapshot of an artist’s performance prowess at a moment in time, but a broader window into their cultural moment, Pranav Trewn writes.

Pranav Trewn delivers the latest edition of his We Outside column, speaking to the organizers of a unique San Fransisco festival about the process of putting it together, ticket prices and more.

For the first 2025 edition of We Outside, Pranav Trewn delivers some thoughtful insights into the lineups for upcoming festivals this year.

For the last edition of We Outside of 2024, Pranav Trewn counts down the most memorable live performances of the year.

Pranav Trewn takes his turn paying respect to the late great Ka, whose writing on "Borrowed Time" serves as a hard-fought inner monologue.

As corporations big and small continue to engage in unlawful practices, gouging prices for in-demand shows, concert tickets are more expensive than ever, Pranav Trewn writes.

Pranav Trewn analyzes some recent examples that reflect the oversaturation of reunion tours for the latest edition of the We Outside column.

In the latest edition of We Outside, Pranav Trewn explores the state of the live music scene in San Fransisco, their storied music history being preserved through recent efforts by local foundations.

A conversation with Pitchfork Music Festival’s Seth Dodson and Liz Pesnel about telling stories through scheduling, a consumer-first approach to sponsorships, and welcoming criticism.

Inflation, undue market power, and shady industry practices have all made live music more inaccessible and less enjoyable for audiences across the board, writes Pranav Trewn for the latest column of We Outside.