Evan Nabavian dives deep into the sonic world of Toru Takemitsu and the film scores that defined an entire cinematic movement.
Alex Koenig: no relation to Ezra. A film soundtrack serves one simple but instrumental purpose: capture the mood of what’s on screen. A particularly scary scene in a film may need a foreboding bass line. A more poignant setting may bring the work of a brimming brass ensemble to the forefront. At its least effective, […]