Jonah Bromwich
Jonah Bromwich is a contributor to The New York Times, The Village Voice and Pitchfork, amongst other outlets. He tries not to write about things he knows nothing about.

Currently Listening:

Caribou

Teklife

Aphex Twin

Flying Lotus

Azealia Banks

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Currently Watching:

High Maintenance (on Vimeo)

NBA

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Currently Reading:

Limonov by Emanuel Carrere

Utopia or Bust by Ben Kunkel

 
Kev Brown Goes Hard January 9, 2013
Jonah Bromwich’s driver’s license still reps the DMV too.  Oddisee had a great year last year but there’s another DMV producer with a similar analogue, dusty boom-bap sound that gets perennially slept on. Kev Brown has been making great beats for a long, long time and has never gotten the recognition he deserves. This track […]
There can be a lot of disconnect between rappers and the critics that review their work.  Frequently these (nebbishy, academic) critics, at least the ones I relate to, are content to let rappers define their own worlds—the critics understanding that they may lack perspective on the black experience with which rap is frequently concerned.  To […]
I was first introduced to Homeboy Sandman through a quote he gave to Format Magazine about three years ago, which made it obvious that I would have to check out the guy’s music. The quote is self-explanatory: “My pop is the man. Came over from the Dominican Republic at the age of 15. He didn’t […]
Jonah Bromwich invented Sea Pop. What if I were to tell you that Rainbow Dolphins was a good name for an album? Or at least, putting aside that it is possibly the silliest EP title of the current century, that Rainbow Dolphins is a fitting name — one that actually describes the album’s sound. Like, […]
It’s Kendrick Lamar week in the rap world, and you can bet that a lot of us want to weigh in on good kid, m.A.A.D. city, an album title which is very confusing to punctuate. We kicked it off last week with Deen and should be continuing all week. Feel free to chime in, hate, […]
Jonah Bromwich speaks English, Spanish, and Packer. The branch of musical acts whom I consider to be great is split into two mental tiers. Either I listen to an act and really respect it, for musicianship, or songwriting, or some other relatively technical factor (John Maus, De La Soul, half of Bowie’s output) or I […]
Jonah Bromwich drives slow, homie. If you’re like me, you left Drive in a state of shock and awe. You didn’t care about precedent, about the other people who liked the movie or didn’t like the movie, about what it all meant, about a gold comedic performance by Ron Perlman. All you knew is that […]
Jonah Bromwich doesn’t The Internet’s going nuts over the new Miguel album and though I don’t have a verdict on it yet, I do want to remind everyone who posted the video for Miguel’s “Do You,” about two other, arguably better, historical songs named “Do You.” I was reminded of the first by Jason Edwards, […]
Jonah Bromwich bleached his hair black to write this review. End of Daze is the Dum Dum Girls third EP. It’s their fifth release overall. In other words, they are no longer a new band. That’s a trying time for any group, especially for one led by a volatile personality like Kristin Gundred, a.k.a Dee […]
1. 0:00 Craig David, specifically, is the person that Ali G was a parody of. I have no idea how I didn’t realize this in the past, because it’s indisputable. (Not actually, but they’re so similar.) 2. 0:06 A British echo of African-American barbershop culture is incredibly entertaining. 3. 0:27 Apparently, you can see exactly […]
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