If it’s become harder to hear hyperpop without all the accompanying baggage of context, That Kid reminds us why this music felt so potent in the first place.

The Australian fusionist's epic establishes itself as the delirious summer samba worth sweating over, Will Schube writes.

In their latest attempt to prove that no production style is too foreign for their voices, Tony Shhnow and Zelooperz embark on a rap K-Ci & JoJo impression.

OME is no stranger to the posse cut. On his latest, he maintains the continuity of playing well with others, writes Chris Daly.

Motivated by the massive success of his YouTube channel, El Chombo has come back from retirement and decided to create a new chapter of his legendary mixtape series.

On Meek's title track from his new project he employs a new flow and patience.

PIERI’s music is a reminder that attitude is a universal language.

Will Hagle breaks down IDLES and slowthai's sarcastic takedown of that all-too-familiar small down where people start sentences with “I’m not a racist but…”

The Ukrainian Eurovision representative's song “Shum” is the sound of the spirits of the woods taking over while the human world is coming to a violent end.

The St. Louis rapper's latest single sounds like it could be a precursor for him to take the next step as an artist -- because to move forward requires meditation over one's origins.